Edgar Wright Brings Stephen King’s ‘The Running Man’ Back to Its Novel Roots
The Horsemen Are Back, Reimagining the Power of Illusion in ‘Now You See Me: Now You Don’t’
Booked and Busy: How Studios Turn Bestsellers Into Blockbusters
From ‘Hereditary’ to ‘A Quiet Place’: The 25 Best Horror Films of All Time
From Pods to Performances: How ‘Love Is Blind’ Completely Lost the Plot
Inside ‘Roofman’: Channing Tatum Finds Humanity in the Most Unlikely Place
Beautifully Performed, Intellectually Distant: ‘After the Hunt’ Gets Lost in Its Own Head
‘Black Rabbit,’ ‘Task,’ & More: Boardroom’s Watchlist, September Edition
Chaos, Courage, and Comedy Collide in ‘One Battle After Another’
Issa Rae on a Potential ‘Insecure’ Movie, Building an Empire, & the Power of Delusion
Tyriq Withers Is Owning His Main Character Era
Ace Greene Is Building More Than a Brand
‘The Bear’, ‘Alien: Earth’, & More: Boardroom’s Watchlist, August Edition
The Art and Pressure of Making a Movie Sequel
How IMAX Is Rewriting the Rules of Theatrical Re-Releases
Same Titles, New Heat: How Movie Remakes Took Over 2025
‘Together’ Is a Haunting Love Story That Bites Back with Humor
In ‘Happy Gilmore 2’, Adam Sandler Creates a Sequel Worth Cheering For
Emmy Nominations Prove There’s Too Much Great TV and Not Enough Room
