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Common Turns His Chicago South Side Roots Into a Wine Brand

The Oscar-winning rapper and actor’s new wine label, Jefferey Park, is named after the block where he learned what togetherness feels like. Now he wants everyone to have a seat at the table.

Every neighborhood has a place like Jefferey Park.

Maybe it’s a court with a bent rim, a field with more dirt than grass, or a strip of benches that became the unofficial living room for an entire block. For Common, it was a patch of Chicago three blocks from his front door, formally known as Stony Island Park, and it was where almost everything worth remembering happened.

“We would go there to hoop,” he tells me. There were also break dance competitions, barbecues, and softball games. And when the sun dropped, there were the park benches, where, in the spirit of a certain Queensbridge poet, a few of the guys would sit and drink.

“I always associated that park with good times and joy and just togetherness,” he says.

Decades later, one of the most respected voices in hip-hop has put that feeling in a bottle. Jefferey Park, his new wine venture alongside acclaimed Argentine winemaker Karim Mussi and Gopuff, is named after that patch of the South Side and debuts with a limited-production 2024 Pinot Noir from Argentina’s Valle de Uco. Common spent time working with Mussi to dial in the wine’s taste and character, making sure it reflected the intentionality he wanted the brand to represent.

Now that you know what Common’s latest venture looks like, let’s get into how he got here because his path says a lot about how he decides what gets his name on it. Ask him why he did it, and he doesn’t lead with the business plan; he leads with the benches.

First off, Common wasn’t born into wine culture. He’ll be the first to tell you that. It was something he grew into in his early adulthood, a taste that evolved from a casual drink into a ritual: dinners with friends, events, a bottle on the table when the night was going right.

One memory stands out. He was at the White House during President Barack Obama‘s years, and somebody handed him a glass of red. He remembers thinking, Man, I’m drinking wine in the White House. “This is incredible,” he recalls.

The wine itself wasn’t the point, though; the moment was. Common has spent a career chasing the feeling that a great experience leaves behind, and he found that wine kept showing up at the center of those moments. So he did what he’s always done with the things that move him: He decided to share them.

“I feel like things that I experienced, I like bringing it to the people, simple as that,” he says. “Making it accessible and approachable too. Giving something that’s elegant and something that’s high level, but letting them know, ‘Yo, you can have this. This is for you.'”

That last line is the mission statement. Wine has a reputation as an intimidating world, one with its own vocabulary, its own gatekeepers, and its own unspoken rules about who belongs at the table. Common wants to tear the gate off its hinges.

Here’s the part that surprises people: This wasn’t a rush job. It wasn’t even a new idea.

About a decade ago, someone approached him about partnering on a wine. He passed. “It just didn’t feel right,” he says. There was no dramatic falling out and no bad deal. His gut told him the timing was off, and Common has built a career on listening to that voice.

“Things have to happen in the right time,” he says. “When things are aligned, and it’s right, then it will happen.”

The alignment finally arrived in the form of two partners. The first was Gopuff, the delivery platform, which pitched him on a simple but powerful idea: they wanted him to have the highest-level product, and they were an accessible app that delivers to the people. Elegant and everyday. That was exactly the balance Common had been searching for.

The second was winemaker Musi, and this is the piece that clinched it. Musi understood hip-hop. He appreciated Common as an artist, not just as a celebrity attached to a label. Other vintners Common met with didn’t have that connection. Musi did, and he also happened to be a great winemaker.

“This is good for me to do this now,” Common says, “because I got the right teams.”

If you’re waiting for the part where a rapper slaps his name on a bottle and calls it a day, this isn’t that story.

Common was deep in the process, and he’ll admit that at the start, he didn’t have the technical language for it. He couldn’t rattle off grape varieties or explain why a wine tastes the way it does. He knows the intimidation that comes with that.

“We shouldn’t get intimidated as people who may drink wine if you don’t have the exact terminology,” he says. “Come on, man, we come from hip-hop. We got to bring who we are to it.”

So he communicated the way he knew how, the way he’d order at a restaurant: this is the type of wine I like. And when the vocabulary gap got real, he had a secret weapon. His assistant has sommelier experience and became the translator between Common’s instincts and the winemakers’ expertise, so both sides landed in the same place. What followed sounded a lot like a studio session.

The team went back and forth on the taste profile again and again. Even when the wine reached what Common calls the 95% point, he wasn’t done. The finish, he told them, needed to be a little less tangy. And here’s what stuck with him: Nobody flinched. Everyone was willing to keep working until it hit the level he wanted. If you’ve ever heard a producer talk about pulling a couple of words out of a verse, or tuning a drum down a hair until the whole record clicks, you understand exactly what he’s describing. “You just got to know the feel of it,” he says. “When it feels right, it feels right.”

He doesn’t think you need a degree in the subject to recognize greatness, either. He compares it to eating Malaysian food. He might never have had it before, but he’d know great food when he tasted it.

“More than anything, I think as people, we respond to the feeling of things,” Common says. “My memories about what things stick with me are less about technically it was with this person, but it’s really about how the person made me feel or how the times made me feel. … So the wine was about a feeling.”

The real test wasn’t a critic or a scorecard. It was a room full of people he trusts.

Common wanted to be able to put this wine in front of anyone. He mentions folks like Dwyane Wade, Carmelo Anthony, and Tim Robbins, but he needed to know he could pour a glass, hand it over, and hear “OK, great job. This is good.”

Early returns suggest he’s there. At a few small events, including a tasting in Chicago, friends kept asking the same question: When can I get a bottle? At one gathering, he says, the bottle was gone before anyone realized it.

For Common, that reaction is the same one he chases in music. It’s the feeling of sitting in a mastering session, or leaning back during an album playback and knowing the record is right. It’s also the feeling of someone pulling him aside to say the last album he dropped was on point.

That feeling gets to the heart of how Common chooses what’s worth his time. With opportunities constantly coming his way, his filter is simple: “I don’t think anything I’ve done is just pure financial.”

He explains that a purely financial decision would mean taking the money even if it went against something he believes in, and that’s not how he’s built. There have been offers where he looked at the number and thought, Damn, I want this money, but it didn’t feel right, so he said no. Everything has to align with his purpose and with what he wants to put into the world.

Wine passed that test because it fits who he is. He has never been about excess. He sees wine as something enjoyable, good, and not overdone. Something you share with friends over a long dinner, or on a park bench. Then he zooms way, way out.

“Decades from now, even centuries, what things do I want to leave on this planet?” he asks. “What I want to leave has to be good. It has to be light to people.”

It’s a big way to talk about a bottle of wine, but that’s Common. He’s always thought in terms of legacy. It’s the same mindset that has carried him from Chicago’s underground to the Oscars stage, and from the booth to the film set. He prays that everything he puts his name on, even a marketing deal, carries that greatness.

There’s something poetic about a wine named after a place where kids used to sneak drinks on the benches. Common isn’t pretending otherwise. The wine is his way of taking what he learned there — that joy is better when it’s shared and that nobody should be made to feel they don’t belong — and scaling it up for everyone.

Jefferey Park isn’t a trophy or a celebrity cash-in. It’s a love letter, one that took 10 years, a few dozen rounds of tasting notes, and a stubborn refusal to settle at 95%. That’s the invitation. Pull up a seat, pour a glass, and bring your friends.

As for what’s next, Common isn’t slowing down. As we wrap up, he can’t help but drop one more piece of news: new music is on the way.

“Look out for that,” he says.

Consider us on notice.

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Griffin Adams

Griffin Adams is the Senior Manager, Content Operations at Boardroom. He's had previous stints with The Athletic and Catena Media, and has also seen his work appear in publications such as USA Today, Sports Illustrated, and MLB.com. A University of Utah graduate, he can be seen obnoxiously cheering on the Utes on Saturdays and is known to Trust The Process as a loyal Philadelphia 76ers fan.

About The Author
Griffin Adams
Griffin Adams
Griffin Adams is the Senior Manager, Content Operations at Boardroom. He's had previous stints with The Athletic and Catena Media, and has also seen his work appear in publications such as USA Today, Sports Illustrated, and MLB.com. A University of Utah graduate, he can be seen obnoxiously cheering on the Utes on Saturdays and is known to Trust The Process as a loyal Philadelphia 76ers fan.