Film & TV
‘Backrooms’ Proves the Internet Is Hollywood’s Biggest Untapped IP Vault
Now That Paramount Has Outbid Netflix, What’s the Plan for Warner Bros.?
How Stephen Curry’s Underdog DNA Redefines the Hero’s Journey in ‘GOAT’
What We’re Watching: ‘Task’, ‘The Traitors’, and ‘Tell Me Lies’
Glossy, Gothic, and Hollow: We Didn’t Need Emerald Fennell’s ‘Wuthering Heights’ Adaptation
How ‘The Gallerist’ Turns Natalie Portman and Jenna Ortega Into Art-World Outlaws
Beyond the Upside Down: Caleb McLaughlin on Broadway Roots and His New Animated Era
The Silent Architect: How Dolby Became Home Entertainment’s Secret Giant
Olivia Wilde and Cooper Hoffman Lean Into Power and Obsession in ‘I Want Your Sex’
Welcome to ‘The Watchlist with Michelai’: Your Weekly Entertainment Reset
The Year of the Crown: Why 2026 Unapologetically Belongs to Anne Hathaway
‘Gail Daughtry and the Celebrity Sex Pass’ Is a Hollywood Romp Done Right
Rachel McAdams and Dylan O’Brien Make Survival Look Like a Sick Game in ‘Send Help’
Chaos, ‘Brat’ Burnout, and the Alexander Skarsgård Carry: Why ‘The Moment’ Misses the Mark
Last Dance in Park City: What the 2026 Sundance Film Festival Really Felt Like
A Masterclass in Resonance: Leo Woodall and Dustin Hoffman Strike a Perfect Chord in ‘Tuner’
Shark Tank’s Barbara Corcoran Breaks Down Why Most Entrepreneurs Fail and the Best Way to Buy a House
The Box Office Lists Everyone Keeps Mixing Up, and What They Say About Modern Stardom
