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The Art and Pressure of Making a Movie Sequel

Hollywood is cashing in on a sequel surge, from decades-later comebacks to saga-ending blockbusters. Boardroom examines how 2025’s biggest follow-ups balance nostalgia, fan expectations, and the pressure to top what came before.

From Beetlejuice to Gladiator, Mission: Impossible, and Happy Gilmore, Hollywood is giving audiences the sequels they’ve been yearning for.

From decades-later revivals to quick-turn follow-ups and saga-ending blockbusters, studios are banking on audience loyalty and nostalgia to deliver box office hits. But the sequel game is trickier than it looks. After all, Avatar: Fire and Ash arrives 16 years after the original film and just three years after its long-awaited sequel, The Way of Water, proving that fan patience can stretch over decades, but so can the pressure to deliver.

Sequels are a balancing act between honoring the original and pushing the story into new territory. For every crowd-pleasing continuation, there’s one that stumbles under the weight of fan expectations. Whether it’s the continuation of a cultural juggernaut like Wicked: For Good, a genre-defining return like 28 Years Later, or a left-field comedy revival with Happy Gilmore 2, this year’s biggest sequels balance nostalgia, fan service, and the daunting challenge of topping what came before.

What Makes a Sequel Work?

At its core, a sequel picks up where a previous installment left off, either narratively, thematically, or within the same fictional world. The best sequels don’t just replay the hits; they expand the scope, deepen character arcs, and raise the stakes. Some go bigger in spectacle, some close out a multi-film storyline, and others shift tone or genre.

Decades ago, certain franchises moved at a much faster clip. The Harry Potter series famously released nearly one film per year between 2001 and 2011, keeping momentum high and giving audiences a steady rhythm of magical world-building. That pace kept fans hooked but also relied on a rapid production cycle with smaller gaps between films.

Today, technology, storytelling ambitions, and market pressures have shifted that rhythm. Visual effects-heavy films require years of production, from motion capture to rendering. And with audiences already deeply familiar with the worlds they’re returning to, studios face a higher bar to make each sequel feel bigger, sharper, and worth the wait. The result? Longer breaks between installments, and more pressure for each one to be a hit.

A Banner Year for Follow-Ups

If it feels like 2025 is stacked with follow-ups, that’s because it is.

James Cameron’s Avatar: Fire and Ash has re-ignited Pandora fever, pushing visual boundaries yet again and furthering the Sully family’s fight for survival. It’s not just another blockbuster; it’s the latest step in a decades-long cinematic experiment that began in 2009.

Tom Cruise is back in Mission: Impossible – The Final Reckoning, the second part of Ethan Hunt’s swan song. Known for upping the stunt ante with every entry, the film has drawn huge crowds eager to see how Cruise and director Christopher McQuarrie will stick the landing on one of action cinema’s most ambitious franchises.

On the horror front, 28 Years Later resurrects the rage virus with a new generation of survivors while keeping the gritty urgency that made 28 Days Later a classic. Now You See Me 3 reunites the Horsemen for another round of globe-trotting illusions and twisty heists, proving that the right cast chemistry can still sell a high-concept premise.

Musicals are having a sequel moment, too. Wicked: For Good, the follow-up to 2024’s Wicked, has turned its two-part release into a full-blown pop culture event, complete with new songs, expanded storylines, fan experiences, branded partnerships, and a marketing rollout like no other.

And then there’s Happy Gilmore 2, Adam Sandler’s return to the green after nearly 30 years, which is leaning hard into nostalgia while adding a family-centric twist as Gilmore tees off to finance his daughter’s ballet dreams.

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Sequels on the Horizon

The momentum for sequels isn’t slowing down anytime soon.

Marvel is stacking its release slate with Avengers: Doomsday in May 2026, followed by the highly anticipated Avengers: Secret Wars, currently eyed for May 2027. Sony and Marvel are also planning Spider-Man: Brand New Day, expected to swing into theaters in July 2026.

Cameron is already looking ahead to Avatar 4, set for 2029 — the same year Pixar will return to the Land of the Dead with Coco 2.

Universal is lining up The Super Mario Bros. Movie 2 on April 3, 2026, to follow the billion-dollar success of the first. Warner Bros. has The Batman Part II on deck, promising a darker and more layered continuation of Robert Pattinson’s Caped Crusader. And Shrek 5 is set to bring the swamp back to the big screen in June 2027 for the first time in nearly two decades, aiming to capture both millennial nostalgia and Gen Alpha curiosity.

If 2025 has shown us anything, it’s that sequels can’t survive on brand recognition alone. They have to expand worlds, deepen stories, and prove there’s more to say. The art is in the evolution. The pressure? It only builds, and one great sequel can turn a franchise into a legend.

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Michelai Graham

Michelai Graham is a tech reporter and digital creator who leads tech coverage at Boardroom, where she reports on Big Tech, AI, internet culture, the creator economy, and innovations shaping sports, entertainment, business, and culture. She writes and curates Tech Talk, Boardroom’s weekly newsletter on industry trends. A dynamic storyteller and on-camera talent, Michelai has covered major events like the Super Bowl, Formula 1’s Las Vegas Grand Prix, and NBA All-Star. Her work has appeared in AfroTech, HubSpot, Lifewire, The Plug, Technical.ly DC, and CyberScoop. Outside of work, she produces the true crime podcast The Point of No Return.

About The Author
Michelai Graham
Michelai Graham
Michelai Graham is a tech reporter and digital creator who leads tech coverage at Boardroom, where she reports on Big Tech, AI, internet culture, the creator economy, and innovations shaping sports, entertainment, business, and culture. She writes and curates Tech Talk, Boardroom’s weekly newsletter on industry trends. A dynamic storyteller and on-camera talent, Michelai has covered major events like the Super Bowl, Formula 1’s Las Vegas Grand Prix, and NBA All-Star. Her work has appeared in AfroTech, HubSpot, Lifewire, The Plug, Technical.ly DC, and CyberScoop. Outside of work, she produces the true crime podcast The Point of No Return.