About Boardroom

Boardroom is a sports, media and entertainment brand co-founded by Kevin Durant and Rich Kleiman and focused on the intersection of sports and entertainment. Boardroom’s flagship media arm features premium video/audio, editorial, daily and weekly newsletters, showcasing how athletes, executives, musicians and creators are moving the business world forward. Boardroom’s ecosystem encompasses B2B events and experiences (such as its renowned NBA and WNBA All-Star events) as well as ticketed conferences such as Game Plan in partnership with CNBC. Our advisory arm serves to consult and connect athletes, brands and executives with our broader network and initiatives.

Recent film and TV projects also under the Boardroom umbrella include the Academy Award-winning Two Distant Strangers (Netflix), the critically acclaimed scripted series SWAGGER (Apple TV+) and Emmy-nominated documentary NYC Point Gods (Showtime).

Boardroom’s sister company, Boardroom Sports Holdings, features investments in emerging sports teams and leagues, including the Major League Pickleball team, the Brooklyn Aces, NWSL champions Gotham FC, and MLS’ Philadelphia Union.

All Rights Reserved. 2025.

Media

MICHAEL B. JORDAN:
THE LEADING MAN

Fame goes quick. Vision doesn’t. Michael B. Jordan spent 2025 proving that distinction matters. For years, he’s been the guy who delivered box-office gravity with the polish of a leading man. But this year, he turned precision into authorship. Sinners, the horror epic he led and co-produced with Ryan Coogler, hit like a confession—twin brothers wrestling with inheritance, identity, and what it means to outrun the blood that made you. Critics called it his best work since Fruitvale Station, but the real story is how calculated the chaos felt.

Jordan no longer acts like a star. He moves like a studio. Every choice — casting, soundtrack, lighting — felt like part of a personal brand document. The rollout was pure modern mogul strategy: teaser drops on socials, a short-film trailer scored by Metro Boomin, a viral GQ cover that turned red-carpet minimalism into armor. The performance inside all that marketing, though, was pure craft — subtle, haunted, steeped in that Denzel-level control he’s been chasing since Creed.

Gareth Cattermole / Getty Images

Outside the screen, he kept stacking credits. His production company, Outlier Society, inked new deals with Amazon and Apple, expanding into docuseries and original animation. He launched a footwear collab that sold out minutes, directed a campaign for Ralph Lauren’s Purple Label, and opened a creative campus in Burbank designed to train underrepresented filmmakers. He’s not just diversifying—he’s decentralizing Hollywood power the same way athletes reimagined free agency.

Hip-hop always respected the artist who owns his masters. Jordan is doing that on-screen. He’s not waiting for studios to cast him; he’s building the roles that fit his legend. His 2025 moves echo the same ethos that built the modern mogul class — Jay, Dre, LeBron: create, own, scale. There’s no separation between brand and body of work anymore; they feed each other.

That’s what makes him singular. He’s learned how to treat performance like production, image like infrastructure. The old stars chased immortality. Jordan’s chasing control. And control, as he keeps showing, looks a lot like freedom.

Boardroom Staff